Warrior triptychs

1846

 

 

Title: Satsuma no Kami Tadanori’s last poem forms the title of the triptych:

Yuki kure te

konoshita kage wo

yado to seha

hana ya ko yoi no

aruji nara mashi.

When the day is done

I take a tree for my lodge.

On my weary way,

Lying under its broad boughs,

A flower is my sole host.

Description: Satsuma no Kami Tadanori writing his last poem under the cherry trees on the evening before his death at Ichi-no-tani on March 21, 1184

Publisher: Yamaguchi-ya Tôbei

Date: 1846

Robinson: T173

Title: Fukushû kagami ni maze no ki

Description: Composite picture of various dramatic stories of revenge

Publisher: Jingi Kikubei

Date: 1846

Robinson: T174

Title: Kawanakajima ô-kassen: Kenshin Shingen tachi-uchi no zu

Description: Personal encounter of Shingen and Kenshin in the river at the battle of Kawanakajima in 1560

Publisher: Yamashiro-ya Jimbei

Date: 1846

Robinson: T175

Title: Mitate hakkei: seiran (Selection for the Eight Views: Glorious Sunset)

Description: Miyamoto Musashi by a mill-stream

knocking down Shirakura Dengoyemon and his men with a broken beam

Publisher: Iba-ya Kyûbei

Date: 1846

Robinson: T176

Title: Mitate hakkei: takadono no rakugan (Selection for the Eight Views: Descending Geese at Takadono)

Description: Masakado drinking sake on a terrace with Kikyô-no-maye and other ladies watching a flight of wild geese in the year 939

Publisher: Yenshû-ya Matabei (Enshû-ya Matabei)

Date: 1846

Robinson: T177

Title: Mitate hakkei: Shôshazan no banshô (Selection for the Eight Views: Evening Bell at Shôshazan)

Description: Oniwaka Maru knocking down attackers on the steps of Yenkyôji Temple in Harima Province

Publisher: Yenshû-ya Matabei (Enshû-ya Matabei)

Date: 1846

Robinson: T178

 

 

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Title: Mitate hakkei: Yashima no sekishô (Selection for the Eight Views: Evening Glow at Yashima)

Description: Benkei looking through a telescope at Lady Tamamushi-no-maye and the fan on the pole at

the Battle of Yashima

Publisher: Iba-ya Sensaburô

Date: 1846

Robinson: T179

Title: Mitate hakkei: kihan (Selection for the Eight Views: Returning Sails)

Description: Koman swimming in Lake Biwa with the Minamoto banner is attacked from the Taira barge by Sanemori

Publisher: Ise-ya Ichibei

Date: 1846

Robinson: T180

Title: Mitate hakkei: Kanzaki no shûgwatsu (Selection for the Eight Views: Autumn Moon at Kanzaki)

Description: The boatman Matsuyemon (formerly Higuchi Jirô Kanemitsu) hurling a huge anchor

Publisher: Koshima

Date: 1846

Robinson: T181

Title: Mitate hakkei: Gionbayashi no ya-u (Selection for the Eight Views: Evening Rain in the Gion Woods)

Description: Taira no Tadamori (center) and the oil-thief (right)

Publisher: Iba-ya Sensaburô

Date: 1846

Robinson: T182

 

NOTE:  This triptych is by Hiroshige–not Kuniyoshi.  However it belongs to the same series– Mitate hakkei–as triptychs T176, T177, T178, T179, T180 and T181.  Mitate hakkei may be translated as ‘Selection for the Eight Views’, ‘Parodies of the Eight Views’ or ‘Allegory of the Eight Views’. 

Title: Watônai tora-gari no zu

Description: Katô Kiyomasa (Watônai) attacking a huge tiger in the snow in Korea which has carried off one of his men; other soldiers in the background (right) force a tiger over a cliff

Publisher: Yamashiro-ya Jimbei

Date: 1846

Robinson: T183

‘Robinson’ refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982) and its unpublished supplement.

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