Skillfully Tempered Sharp Blades

(Sayetate no uchi kitai no wazamono, 鏗鏘手練鍛の名刄)

Publisher: Ise-ya Ichibei

1847-1848

This series of prints recognizes the contributions of famous sword smiths, as well as the warriors who used their swords.  Even today, great artisans are officially honored in Japan as ‘living national treasures’.  The prints in this series are each about 14 by 10 inches (36 by 25 centimeters), a size known as ôban.

 

Subject: Awa no Jurobei (阿波の十郎兵衛) dragging his terrified daughter

Sword smith: Rai Kunitsugu

Robinson: S51.1

 

 

 

Subject: Fukuoka Mitsugi

Sword smith: Aoi Shimosaka Yasutsugu

Robinson: S51.2

 

 

Subject: Kamiya Jihei about to perform seppuku while a dog carries off the severed head of his beloved Koharu

Sword smith: ?

Robinson: S51.3

 

NOTE: The term ‘hara-kiri’, although more common in English than ‘seppuku’, is considered in Japan to be a vulgar and disrespectful description of an honorable action.

 

Subject: Katsuma Gengobei (勝間源言兵衛) holding the severed head of the bath-house girl (yuna) Kikuno (also known as Sakuraya Oman and as Koman).  Katsuma Gengobei loved her, but she was engaged to another.

Sword smith: Morimitsu of Bizen

Robinson: S51.4

 

 

Subject: Ôkumo Hikoroku Tessan

Sword smith: Gorô Masamune of Sagami

Robinson: S51.5

 

 

Subject: Sano Jirozaemon (佐野冶郎左衛門)

Sword smith: “Two-character” Kuniyuki

Robinson: S51.6

 

Subject: Sasaki Ganryű standing besides a stone statue of Jizô in the rain

Sword smith: Shinsoku

Robinson: S51.7

 

 

Subject: Shirai Gompachi crouching to wash his hands while two dogs bark at him from behind

Sword smith: Sengo Muramasa of Ise

Robinson: S51.8

 

Subject: Shundô Jiroyemon with a grey face from impending death plunges sword into heap of straw

Sword smith: Shimosaka Yasutsugu

Robinson: S51.9

 

Subject: Yodoya Shinshichi with bloodstained scroll

Sword smith: “Two-character” Kunitoshi

Robinson: S51.10

 

“Robinson” refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982) and its privately published supplement.

 

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