Sixteen Female Sennin, Charming Creatures
(Enshi jû-roku josen,
艶姿十六女仙)
c. 1847
Sennin are Taoist immortals. In addition to the eight principal male immortals, some texts also mention eight female immortals. This series pair beautiful women with each of these sixteen immortals, with a poem inscribed on each print. The series is listed as number 58 in Kuniyoshi by Basil William Robinson (Victoria and Albert Museum, London, 1961). The prints in this series are each about 14 by 10 inches (36 by 25 centimeters), a size known as ôban.
|
|
Sennin: Ryo Douhin (呂洞賓) Chinese name:
Lu Dongbin Description:
Woman in red robes holding a black lacquer plate, standing in front of a shoji screen with a painted dragon Inset: Ryo
Douhin seated conjuring a dragon from a pot Publisher:
Arita-ya Seiemon |
|
|
Sennin: Roko Chinese name: Description:
Woman in a blue robe with a floral pattern,
holding an open fan and looking at two turtles for sale suspended by strings
from a bar over dishes Inset: Roko riding a tortoise of longevity Publisher:
This seal is identified as Naka-Ni (Kinshôdô) of Terifuri-chô in Kuniyoshi by B. W. Robinson (Victoria
and Albert Museum, London, 1961), but as Ebisu-ya Shôshichi in Publishers
of Japanese Woodblock Prints: A Compendium by Andreas Marks (Hotei
Publishing, |
|
|
Sennin: Hoso (彭祖) Chinese name:
Peng Zu Description:
Reclining woman leaning on a long smoking pipe Inset: Hoso seated and holding a fragrant branch Publisher:
Arita-ya Seiemon |
|
|
Sennin: Gama (蝦蟇) Chinese name:
Liu Hai Description:
Barefoot woman holding a cat on her shoulder Inset: Gama with a toad on his shoulder Publisher:
Arita-ya Seiemon |
|
|
Sennin: Oshikyô Chinese name: Description: Inset: Oshikyô seated on a bird in flight Publisher:
This seal is identified as Naka-Ni (Kinshôdô) of Terifuri-chô in Kuniyoshi by B. W. Robinson (Victoria
and Albert Museum, London, 1961), but as Ebisu-ya Shôshichi in Publishers
of Japanese Woodblock Prints: A Compendium by Andreas Marks (Hotei
Publishing, |
|
|
Sennin: Joriken Chinese name: Description:
Beauty sitting on a barrel of sake Inset: Publisher: |
|
|
Sennin: Chinese name: Description: Inset: Publisher:
Arita-ya Seiemon |
|
|
Sennin: Chinese name: Description: Inset: Publisher:
Arita-ya Seiemon |
|
|
Sennin: 王處 Chinese name: Description: Inset: Publisher:
This seal is identified as Naka-Ni (Kinshôdô) of Terifuri-chô in Kuniyoshi by B. W. Robinson (Victoria
and Albert Museum, London, 1961), but as Ebisu-ya Shôshichi in Publishers
of Japanese Woodblock Prints: A Compendium by Andreas Marks (Hotei
Publishing, |
|
|
Sennin: Chinese name: Description: Inset: Publisher:
This seal is identified as Naka-Ni (Kinshôdô) of Terifuri-chô in Kuniyoshi by B. W. Robinson (Victoria
and Albert Museum, London, 1961), but as Ebisu-ya Shôshichi in Publishers
of Japanese Woodblock Prints: A Compendium by Andreas Marks (Hotei
Publishing, |
|
|
Sennin: Shohei Chinese name: Description: Inset: Publisher:
This seal is identified as Naka-Ni (Kinshôdô) of Terifuri-chô in Kuniyoshi by B. W. Robinson (Victoria
and Albert Museum, London, 1961), but as Ebisu-ya Shôshichi in Publishers
of Japanese Woodblock Prints: A Compendium by Andreas Marks (Hotei
Publishing, NOTE: This is a
key block print. It is an impression
pulled from the first woodblock made by a carver from the artist’s original
drawing. The artist would write
instructions for each color on a separate key block print, and the woodblock
for each color was cut using one of these as a guide. Registration marks (kento) are characteristically
found on Japanese key block prints, although not seen on this example. Kento are cut in each woodblock, so that the paper can be
properly aligned on each woodblock during printing. In
addition to being a guide for carving the color woodblocks, the key block was
also used to apply black ink (usually) in the printing process. |
CLICK HERE
TO RETURN TO MAIN PAGE
_files/image001.jpg)