Modern Select Dolls

(Tôsei mitate ningyô no uchi)

1855-1856

This series illustrates carved groups of ‘dolls’ displayed at Kannon Temple in Asakusa.  Although the word ningyô is translated as ‘dolls’, these lifelike dolls (iki-ningyô) were in fact extremely realistic life-sized clothed statues.  The print series is listed as number 185 in Kuniyoshi by Basil William Robinson (Victoria and Albert Museum, London, 1961).  Some of the prints have slightly different titles.  The individual sheets are each about 14 by 10 inches (36 by 25 centimeters), a size known as ôban, and were intended to be placed side-by-side to form diptychs and triptychs.

Title: The Lonely House (Hitotsuya no zu)

Description: This ever popular story tells of a mad woman who ran a boarding house where she killed and devoured young women until one of them was saved by, the goddess of mercy (on the left).

Date: 2nd month of 1856

Publisher: Honmo

Title: Lifelike Dolls of the Hag of Hitotsuya at Adachigahar

Description: This diptych has an inset of the god Fudô Myô-ô with a little boy

Publisher:

This triptych is another version of the same scene, which is listed as T318 in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982).

Date: March-April 1855

Publisher: Yamaguchi-ya Tôbei

Title: Lifelike Dolls of the Hag of Hitotsuya

Description: This is a close-up version of the same group of dolls

Publisher: Daikoku-ya Kinnosuke

Title: Adachi-ga-hara hitotsuya no zu

Description: The Hag of the Lonely House with a female victim trussed up on the floor and an apparition of the goddess Kwannon behind

Date: Dragon 3, April 1856

Publisher: Ômi-ya Kyûsuke (Kyûjirô)

 

NOTE: This triptych is listed as T330 in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982).

Title: Lifelike Dolls of Sarutahiko, Uzume-no-mikoto and the Hag of Hitostuya at Adachigahara

Publisher: Yamaguchi-ya Tôbei

This is a slightly different version of the above.

Title: Lifelike Dolls from the Suikoden

Publisher: Hayashi-ya Shôgorô

Kosanryô Ichijôsei deflecting flying arrows with two swords

Tammeijirô Genshôgo half naked grappling underwater with an armored foe

Daitô Kwanshô standing on the shore with an enormous glaive

 

Here is a slightly different version of the same group of dolls.  This version was intended to be viewed as individual prints since the backgrounds are not continuous.

Title: Modern Lifelike Dolls (Tôsei iki ningyô)

Date: 2nd month of 1856

Publisher: Ise-Yoshi

 

Left-hand panel courtesy of John Rose and Auction Ukiyo-e Ltd.

Title: Lifelike Dolls of Foreign Strangers & the Maruyama Courtesans Now on View at Okuyama in Asakusa

Publisher: Izutsu-ya Shokichi

Title: Lifelike Dolls of Foreign Strangers and the Maruyama Courtesans Now on View at Okuyama in Asakusa

Publisher: Izutsu-ya Shokichi

Date: Fifth month of 1855

Title: Living dolls at Okuyama in Asakusa (Asakusa Okuyama iki ningyô)

Publisher: Izutsu-ya Sanemon

Title: Lifelike Dolls of Three Beauties of the Three Kingdoms

Description: These three Chinese beauties represent the Wei (also known as Cao Wei), Han (also known as Shu Han or Shu) and Wu (also known as Eastern Wu) kingdoms that coexisted between the years 184 and 280 C. E. 

Publisher: Honmo

Title: Kume Sennin

Description: Kume Sennin fell–both literally and spiritually–after staring at a partially exposed washerwoman

Date: 2nd month of 1856

Publisher: Honmo

Title: Lifelike Dolls of the God Sumiyoshi and Priest Yûten

Publisher: Yamaguchi-ya Tôbei

Title: The Upstairs Parlor of a Brothel (Nikai zashiki no zu)

Date: 2nd month of 1856

Description: A brothel scene

Publisher: Honmo

Title: ?

Description: Two men trying to pull Tametomo’s giant bow

Publisher: Yamaguchi-ya Tôbei

Image courtesy of Louise Ariëns Kappers and C.P.J. van der Peet Japanese Woodblock Prints

Title:

Description: A scene in a brothel

Publisher: Yamaguchi-ya Tôbei

This is a photograph of contemporary lifelike dolls (iki-ningyô) that are similar to those seen by Kuniyoshi.  Its title is Tôrei (Winter Loveliness), and it was created by the master doll maker, Hirata Gôyô, in 1958.

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