Mirror of Women of Wisdom and Courage

(Kenyû fujo kagami)

Publisher: Publisher: Takahashi-ya and Arita-ya

c. 1843

 

Each print in this series shows the head and shoulders of a woman from history or legend inside a circle surrounded by a different flower on each print.  The prints are each about 14 by 10 inches (36 by 25 centimeters), a size known as ôban.

 

No image available

 

Scene: Chiyo-jo

Flower:

Publisher:

Robinson: S29.1

  

 

Scene: Chûjô-hime holding the two ends of a string game or puzzle against a background of brocade with a waterwheel design

Flower: Lotus

Publisher: Takahashi-ya (Bunyeidô) of Ichigaya

Robinson: S29.2

 

No image available

 

Scene: Hanjo-gozen with a bamboo branch over her shoulder, to which a fan is attached

Flower: Cherry blossoms

Publisher:

Robinson: S29.3

 

 

Scene: Kaji of Gion holding a fan (uchiwa) to her mouth

Flower: Convolvulus

Publisher: Takahashi-ya (Bunyeidô) of Ichigaya

Robinson: S29.4

 

Scene: O-Kane (Kane-jo), the strong woman of Ômi Province carrying a tub of laundry

Flower: Pinks

Publisher: Takahashi-ya (Bunyeidô) of Ichigaya

Robinson: S29.5

 

Scene: Matsushima no Tsubone with a writing brush in her mouth examining a bundle rolled in fabric

Flower: Tiger lilies

Publisher: Arita-ya Seiemon

Robinson: S29.6

 

Scene: Ôkio striking a flint with a pipe in her mouth

Flower: Irises

Publisher: Takahashi-ya (Bunyeidô) of Ichigaya

Robinson: S29.7

 

Scene: The great poetess, Ono no Komachi, holding a poem and a fan under an umbrella

Flower: Peonies

Publisher: Takahashi-ya (Bunyeidô) of Ichigaya

Robinson: S29.8

 

Another state of the above print

 

Scene: Tokiwa-gozen in the snow sheltering her children under her hat

Flower: Camellias

Publisher: Takahashi-ya (Bunyeidô) of Ichigaya

Robinson: S29.9

 

This is another state of the above print.  It is a less labor-intensive printing than the above, which almost invariably means a later edition.  In this print, the delicate shading (bokashi) in the rectangular cartouche in the right upper corner was omitted.  Bokashi was achieved by hand applying a gradation of ink to the wooden printing block rather than inking the block uniformly.  This hand-application had to be repeated for each sheet of paper that was printed.

 

Scene: Tomoye-jo holding the helmet of Yoshinaka

Flower:

Publisher: Takahashi-ya (Bunyeidô) of Ichigaya

Robinson: S29.10

‘Robinson’ refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982) and its unpublished supplement.

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