Military Brilliance for the Eight Views
(Yôbu hakkei)
Publisher: Yenshû-Hikobei
1852
In
eleventh century
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View:
Autumn Moon at Scene: Ushiwaka Maru playing his flute Robinson:
S76.1 |
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View:
Lingering Snow at Ishiyama Scene:
Suzuki Shigeyuki with his pistol Robinson:
S76.2 Image courtesy of Pierre Wijermans |
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This is another state of
the above print with the cartouche printed in red. Since this is a less labor-intensive
printing, it is almost certainly a later edition. |
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This is yet another state of
the above image. The blue sky has been
replaced with a black sky turning the print into a nocturnal scene. |
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View:
Evening Glow at Awadzu Scene:
Tomoe-gozen after the battle of Awazugahara Robinson:
S76.3 |
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View:
Vesper Scene: Akushichibyôye Kagekiyo in
monk’s habit ready to resist arrest Robinson:
S76.4 |
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View:
Returning Boats at the Scene:
Minamoto no Tametomo onboard ship with Kiheiji
swimming in the background Robinson:
S76.5 |
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View:
Clearing weather at Horikawa Scene: Eda Genzô defending Robinson:
S76.6 |
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View:
Night Rain at Narumi Scene: Inagawa Yoshioto in a downpoor at the battle of Okehazama
(1560) Robinson:
S76.7 |
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View: Homing
Geese at the Northern Capital Scene:
Kato Kyomasa watching a flock of geese Robinson:
S76.8 |
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This is
one of several series of prints Kuniyoshi designed consisting of bust
portraits with irregularly shaped cartouches in the right upper corner. In each of these series, the cartouche is
bordered by small pictures. The table
below shows a typical cartouche from each of these series as well as the script within the cartouche that
identifies the series. The color of
the cartouches is not a reliable guide to identifying the series, as it may
vary with successive printings.
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‘Robinson’ refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982).
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