Famous Views of
(
Publisher: Yahata-ya Sakujirô
1852
This
series shows bust portraits of kabuki
actors in character against landscapes. Each
print is associated with a different month.
The cartouche in the right upper corner is bordered by objects from the
play. This series is listed as number
210 in Kuniyoshi by Basil William
Robinson (Victoria and Albert Museum, London, 1961). The prints in this series are each about 14
by 10 inches (36 by 25 centimeters), a size known as ôban. I am indebted to Guy
Pepermans for supplying the descriptions of these prints.
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Number: 1 Location:
Asakusa Actor:
Actor as Miyagino |
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Number: 2 Location:
Ôji Actor: |
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Number: 3 Location:
Fuwa District Actor:
Actor Ichikawa Ebizo V as Banzaemon in Fuwa (part of kabuki jûhachiban) |
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Number: 4 Location: Kameido Actor:
Bandô Hikasaburô IV (?) as Teranishi Kanshin |
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Number: 5 Location:
Takanawa Actor:
Iwai Kumesaburô III as Ofune |
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Number: 6 Location:
Sanno Festival Actor:
Nakamura Utaemon IV as Uoya Danshichi Kurobei in the kabuki play ‘Yadonashi Danshichi shigure no karakasa’ |
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Number: 7 Location: Actor: |
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Number: 8 Location: Main
gate of the Yoshiwara Actor:
Actor as Kaku no Kosan |
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Number: 9 Location:
Sugamo Actor:
Actor as Tomoe Uchi |
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Number: 10 Location:
Umi Shizuka Tera Actor: |
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Number: 11 Location:
Hori no Uchi Actor: |
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Number: 12 Location:
Ryôgoku Actor:
Bandô Hikasaburô IV as Ôboshi Yuranosuke in the kabuki play ‘Yayoi no hara iroha no honsetsu’ |
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This is
one of several series of prints Kuniyoshi designed consisting of bust
portraits with irregularly shaped cartouches in the right upper corner. In each of these series, the cartouche is
bordered by small pictures. The table
below shows a typical cartouche from each of these series as well as the script within the cartouche that
identifies the series. The color of
the cartouches is not a reliable guide to identifying the series, as it may
vary with successive printings.
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‘Robinson’ refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982) and its unpublished supplement.
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