Comparison of the High Renown of the Loyal Retainers
and Faithful Samurai
(Chûshin gishi kômei kurabe)
Publisher: Kobayashi-ya Matsugorô
1848
In
1702, Lord Asano of Akô was provoked by Kira Kozukenosuke Yoshinaka into drawing his sword in the shogun’s palace,
for which he was forced to take his own life, and his estate was
confiscated. Forty-seven of Lord Asano’s
retainers, who were now rônin (samurai without masters), planned and carried out a successful attack on Kira’s palace. Kira’s head was cut off with the same dagger Lord Asano
used to commit seppuku. (The term ‘hara-kiri’, although more common in English than ‘seppuku’, is considered in
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Scene: Ôboshi Rikiya Yoshikane strikes a naginata
out of the hands of Takano Uheinosuke Moroyasu Robinson:
S57.2 Image courtesy of Richard
Norcross |
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Scene: Yazama Kihei Mitsunobu making a sword stroke at a fleeing adversary by
a shôji screen on which the shadow
of another fleeing figure is seen Robinson:
S57.6 Image courtesy of Richard
Norcross |
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Scene: Senzaki Yagorô Noriyasu cutting at the fallen Shimmi Yashichirô who blocks his downward sword stroke Robinson:
S57.7 |
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Scene: Horiye Yasubei Taketsune and Kobayashi Heihachi
Kaneyoshi fighting by a fallen screen Robinson:
S57.8 |
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Scene: Fuwa Katsuyemon Masatane and Toriye Riyemon fighting eyeball to eyeball with crossed swords Robinson:
S57.9 |
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Scene: Kataoka Dengoyemon Takafusa with sword in hand running past a cowering woman
Robinson:
S57.10 |
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Scene: Takebayashi Sadashichi Takashige in combat with Kwandayû
Terukage Robinson:
S57.11 |
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Scene: Okajima Yasôyemon Tsuneki in combat with Saitô Jurobei Robinson:
S57.13 |
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Scene: Sakagaki Shigetaka in combat
with Mori Hanyemon Robinson:
S57.14 |
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Scene: Aihara Yesuke Munefusa pulling Kempachi down
from his hiding place Robinson:
S57.15 Image courtesy of Richard
Norcross |
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Scene: Yukugawa Sampei Munenori with a sword in combat with a foe armed with a
pole arm Robinson:
S57.16 (listed but not described) |
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Scene:
Rear view of Hayami Tôzayemon
Mitsutaka fighting a foe who is stumbling over two
potted plants Robinson:
S57.17 Image courtesy of Richard Norcross |
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Scene: Robinson:
S57.21 Image courtesy of Richard
Norcross |
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Scene: Robinson:
S57.22 |
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Scene: Kadono Jûheiji Tsugufusa in combat with Iwata Yagoyemon Robinson:
S57.22 bis. Image courtesy of Richard
Norcross |
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Scene: Ôboshi Seizayemon Nobukiyo in combat with Sutô Senyemon Robinson:
S57.28 Image courtesy of Richard
Norcross |
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Scene:
Katsuta Shinzayemon Taketaka
seizing an unnamed opponent by his kimono
and holding a sword to his throat Robinson:
S57.29 |
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Scene: Ôtaka Dengo Tadao
fending off bundles of charcoal that are being thrown at him Robinson:
S57.30 Image courtesy of Richard
Norcross |
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Scene: Kiura Okayemon Okiyuki in combat with Horibuchi
Kanzayemon Robinson:
S57.34 Image courtesy of Richard
Norcross |
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Scene: Rear
view of Hayano Wasuke Tsunenari using a pole arm against Hamano Tadanoshin who is armed with a sword Robinson:
S57.37 Image courtesy of Richard
Norcross |
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Scene: Tokuda Tadayemon Yukitaka attacking Miya-ishi Shozayemon who is hiding under a snow-covered ledge Robinson:
S57.38 Image courtesy of Richard
Norcross |
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Scene: Yatô Yomoshichi Norikane making a two-handed sword stroke at Masuhara Sachû who blocks it
with his own sword Robinson:
S57.41 |
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Scene: Yata Goroyemon Suketake pulls Sansuke out from
a kitchen range (kamado)
in which he had been hiding Robinson:
S57.42 |
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Scene: Uramatsu Handayû Takanao falling backwards into a frozen pond is attacked
by Koshio Denshirô with a
pole arm Robinson:
S57.43 Image courtesy of Richard Norcross |
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Scene: Shikamatsu Kanroku Yukishige holding a lantern discovers the maid Sumiji Robinson:
S57.44 |
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The
title cartouche for this series is in the shape of a hand-guard on a Japanese
sword called a tsuba. A tsuba
served to keep the user’s hand from sliding onto the blade, to counterbalance
the weight of the blade and to protect the hand from an opponent’s
blade. Tsuba were often beautifully decorated, and three exceptional
examples are shown below.
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‘Robinson’ refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982) and its unpublished supplement.
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