Abridged Stories of Our Country’s Swordsmanship

(Honchô kendo ryaku den)

Publisher: Kadzusa-ya Iwazô

1845-1846

 

The prints in this series are each about 14 by 10 inches (36 by 25 centimeters), a size known as ôban. 

 

Scene: Araki Matayemon standing and examining his sword

Robinson: S37.1

 

 

Scene: Banzui Chôbei holding up a lantern with his other hand on the hilt of his sword

Robinson: S37.2

 

Scene: Fuwa Bansaku having just struck off the head of a stone-lion with his bare fist

Robinson: S37.3

 

Scene: Inuda Kobungo examining a sword and holding a shirazaya (storage scabbard)

Robinson: S37.4

 

Scene: Inudzuka Shino wielding his sword with his foot on a fallen foe during the fight on the Hôryûkaku roof

Robinson: S37.5

 

Scene: Inukai Kempachi wielding an iron truncheon in his fight with Shino

Robinson: S37.6

Scene: Inukawa Sôsuke Yoshitô (left) and Inuyama Dôsetsu Tadatomo (right) with a kettle hanging over a smoky wood fire

Robinson: S37.7 (left) and S36.9 (right)

This is another state of the above diptych.

 

Scene: Inumura Kakutarô seated on a rock reading a scroll with pine twigs wrapped in paper in his mouth

Robinson: S37.8

 

Scene: Inuye Shimbyôye watching falling banana leaves with his hand on the hilt of his sword and a kimono patterned with toy dogs

Robinson: S37.10

 

Scene: Inudzuka (incorrectly for Inuzaka) Keno Tanetomo standing with two swords and a large straw hat behind him

Robinson: S37.11

 

 

Scene: Keyamura no Rokusuke stripped to his waist and drying his back is addressed by a young kappa.  A bundle of rushes and a carrying-pole are behind them.

Robinson: S37.12

 

NOTE: Kappa are supernatural creatures that live both on land and in water and are as tall as a four or five year old child.  They have a beak-like snout, and fins on their hands and feet.  They also have a shell on their back, and a water-filled dish on their head that is responsible for their supernatural power.

 

Scene: Matsui Tomijirô Shigenaka looks down at three wriggling snakes with a basket and a bundle wrapped in cloth behind him

Robinson: S37.13

 

Scene: Minamoto no Ushiwaka Maru knocking over a tengu during a fencing bout with wooden swords

Robinson: S37.14

 

NOTE: Tengu are forest-dwelling creatures that are either human-like with wings and long noses or bird-like.

 

 

No image available

 

Scene: Minamoto no Yoshinaka

Robinson: S37.15

 

Scene: Miyamoto Musashi dressed for traveling on his way to see Bukoden

Robinson: S37.16

 

Scene: Nagoya Sanzaburô Motoharu with sword in hand holds up the severed head of a young woman with a paper scroll in her mouth

Robinson: S37.17

 

Scene: Sasaki Ganryû standing in profile with a clenched fist

Robinson: S37.18

 

This is another version of the above print.  It is a less labor-intensive printing than the above, which almost invariably means a later edition.  In this print, the delicate shading (bokashi) from black to brown in the clothing was omitted.  Bokashi was achieved by hand applying a gradation of ink to the wooden printing block rather than inking the block uniformly.  This hand-application had to be repeated for each sheet of paper that was printed.

 

Scene: Shirai Gompachi with a drawn sword and a dog looking up at him

Robinson: S37.19

 

Scene: Sono-jo, daughter of Yoshioka Ichimisai, in nun's robes applying an arm hold to an attacking ruffian

Robinson: S37.20

 

Scene: Takagi Oriyemon seated on a large rock with rope attached having just written an account of his defeat of a robber gang on the wall

Robinson: S37.21

 

Scene: Yoshioka Kanefusa defending himself from attacking policemen

Robinson: S37.22

‘Robinson’ refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982) and its unpublished supplement.

CLICK HERE TO RETURN TO MAIN PAGE