A Hundred Poets from the Literary Heroes of Our
Country
(Honchô bunyû
hyaku-nin isshu)
Publisher: Mura-Tetsu
c. 1842-1843
This series of prints
portrays historical figures who are known to have written extant poetry, which is
reproduced in a square panel on each print.
On many of the prints, the hero-poet’s personal seal (kakihan) is reproduced in red. The prints in this series are each about 10
by 7 inches (25 by 18 centimeters), a size known as chûban.
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Scene: Abe
Munetô wearing court robes over half-armor and holding a bow and arrows Robinson:
S22.1 |
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Scene:
Akugenda Yoshihira seated and glaring to his left Robinson:
S22.2 |
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Scene: Asahina
Saburô Yoshihide standing in court robes with a fan Robinson:
S22.3 |
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Scene:
Ashikaga Tadayoshi seated before a large mirror dressing for a noh dance Robinson:
S22.4 |
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Scene:
Chinzei Hachirô Tametomo standing in court robes
and cap with a fan; a spray of cherry-blossom thrown at him by the maids at
the time of his betrothal to Shiranui-hime Robinson:
S22.5 |
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No image available |
Scene:
Kadzusa Akushichibyôye Kagekiyo standing holding a closed fan and a wide straw
hat Robinson:
S22.6 |
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Scene:
Kajiwara Genda Kagesuye standing holding a wide straw hat Robinson:
S22.7 |
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No image available |
Scene:
Komatsu Naidaijin Shigemori standing in black brocade court robes holding the
infant Emperor Antoku on his shoulder Robinson:
S22.8 |
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Scene: Kô
Musashi no Kami Moronao standing holding a card on which is written his love-
poem to the lady Kaoyo-gozen in a scene from the first act of the kabuki play ‘Kanadehon Chûshingura’ Robinson:
S22.9 |
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No image available |
Scene:
Matsushima no Tsubone seated with her child before her Robinson:
S22.10 |
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Scene:
Minadzuru-hime standing barefoot and shielding a lantern with her sleeve (she
obtain copies of her father's scrolls of strategy for her love, Yoshitsune) Robinson:
S22.11 |
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Scene:
Minamoto no Yoritomo standing in court robes and cap holding a fan with a
sword in a tiger skin scabbard Robinson:
S22.12 |
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Scene: Onzôshi
Ushiwaka Maru seated examining the strategic scroll Sanryaku-no-maki in Ki-ichi Hôgen’s house Robinson:
S22.13 |
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Scene:
Sarashina-hime with her son Shikanosuke and a bear cub Robinson:
S22.14 |
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Scene: Satô
Shirobei Tadanobu seated grasping his sword and leaning on a go board Robinson:
S22.15 |
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No image available |
Scene:
Satsuma no Kami Tadanori seated at a writing-table with brush in hand Robinson:
S22.16 |
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Scene: Mimyô,
the twelfth century Shirabyôshi
dancer crouching and holding a wide black hat amid falling cherry petals Robinson:
S22.17 |
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No image available |
Scene:
Tametomo’s wife Shiranui-hime standing with a branch of cherry blossom and covering
the lower part of her face with her sleeve Robinson:
S22.18 |
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Scene:
Soga Gorô Tokimune in boyhood with his hands
clasped in prayer before an image of the god Fudô Robinson:
S22.19 |
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Scene: Tomoye-jo
seated and holding Yoshinaka's helmet in the smoke from a small incense
burner with a storage chest for armor behind her Robinson:
S22.20 |
‘Robinson’ refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982) and its unpublished supplement.
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